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	Walter Murch - Re-cutting 'Touch of Evil' to Welles's specifications (182/320) (Web of Stories - Life Stories of Remarkable People) View
	Walter Murch - 'Tell me the timing': Why films tend to become too long (195/320) (Web of Stories - Life Stories of Remarkable People) View
	Walter Murch - What is stardom (163/320) (Web of Stories - Life Stories of Remarkable People) View
	Walter Murch - 'A bomb is a bomb': Reductions can improve the structure of a film (174/320) (Web of Stories - Life Stories of Remarkable People) View
	Walter Murch - Dangers of becoming a star (165/320) (Web of Stories - Life Stories of Remarkable People) View
	Walter Murch - The advantages of long assemblies (199/320) (Web of Stories - Life Stories of Remarkable People) View
	Walter Murch - 'Anthony, they already hate you': The previews of The 'Talented Mr. Ripley' (204/320) (Web of Stories - Life Stories of Remarkable People) View
	Walter Murch - 'The Talented Mr. Ripley' and the single point of view (192/320) (Web of Stories - Life Stories of Remarkable People) View
	Walter Murch - 'The English Patient': The interrogation scene (176/320) (Web of Stories - Life Stories of Remarkable People) View
	Walter Murch - Film-making is like Victoria's Secret, but on a very high level (202/320) (Web of Stories - Life Stories of Remarkable People) View